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Before the
launch of the Israeli experiment in 1948, one of its founders
summarized the solution to the existing population of Palestine
thus: The old ones will die, and the young ones will forget.
How is the
solution progressing? Many of the old ones have died, it is true,
without ever seeing their homes again, or any justice regarding
their forced exile and dispossession.What about their children and
grandchildren and great grandchildren and great-great grandchildren?
Have they
forgotten Palestine yet?
Come with me
on a bief tour of exile.Our first stop is Nahr al-Barid (pronounced
Nahh-Ral-Ba-Red) Refugee Camp in northern Lebanon. This is the first
official refugee camp that UNRWA set up for the population fleeing
on foot from attacks on their homes in northern Palestine.
We are walking
rather briskly through the narrow lanes marked out by the
cement-block houses spaced in winding lines three feet apart. Many
of the structures reach three storeys high, and a few even higher,
severely filtering the sky’s generous daylight. But like the sea
that reveals treasures as you dive farther from the sun’s reach,
these winding lanes unfold constant scenes of well-wishing and
welcome manners. “Peace upon you.” “And upon you peace. How are you
today?” “Fine, praise God. God keep you and your children.” There is
something about close quarters that brings out either the best or
the worst in people. In a constricted passage where one hem brushes
another, it is a happy thing that people make these contacts a
positive opportunity. The danger of superficiality is overcome by
sincerity, even if it is just a tiny portion of humane exchange.
We knock on a
metal door divided down the middle. “Please come in!” comes the
response. So we push open the right panel of the door with its
heart-shaped grille-work, and spill into the breadth of a tiled
entrance. Proceeding to the first-floor room that constitutes the
house, we shed our shoes at the threshold. One lightbulb hanging
from the ceiling provides plenty of light in lieu of the small
window letting in a few grey rays. Brightness also comes from the
cheery scene of silk flower arrangements sporting assorted colors in
various corners. Here is the Dome of the Rock in Jerusalem, one of
three framed pictures placed in aesthetic order on the walls. Here
is a red Mother’s Day card with the photo of a mother’s final
farewell to her son as he departs to disable the invasion of the
homeland. “You see, Tahani? The nation is more precious than the
son.”
Have they
forgotten Palestine yet?
Walls in
homes and offices become exhibition spaces for the Palestinian flag.
More than one door is made into a flag, as the proportions are
perfect. The holy places of Jerusalem take myriad forms in
photographs, watercolors, oils, pastels, children’s drawings,
calendars, bead and shell craft creations, and are framed with
flowers or adorned with a martyr postcard. If we were to stack up
all of these renditions of the Dome of the Rock, they would surely
make a line long enough to thread through all the alleys of the
camp.
Have they
forgotten Palestine yet?
We are taking
a short drive to Baddawi Refugee Camp which has far fewer people
spread over a larger area. Here the sky is bigger than the
buildings. But a mural covering the entire side of a building still
attracts notice, and we get a full perspective of it from the wide
streets and open areas. A four-storey Palestinian flag flies in a
blue sky, with a map of Palestine and the Dome of the Rock in the
middle. It is signed by the Committee to Support the Resistance in
Palestine. This is a delegation of Iranian artists who import their
talents during brief visits, and leave colorful reminders of their
support on prominent display. Another shows al-Aqsa Mosque with a
flag and an armed member of the Resistance in the foreground.
Have they
forgotten Palestine yet? Have their outside supporters forgotten
Palestine yet?
We travel a
little farther this time, and find a portrait high above a main
crossroads in Ayn al-Hilwa Refugee Camp. Larger than life, Yahya
Ayyash surveys the daily comings and goings, with his traditional
checkered scarf/kafiyya wrapped around his neck. He is known as “the
engineer” for his technical expertise in planning explosive
operations against an invader who began by attacking Palestinian
civilians, and has not yet ceased. Israel annihilated him about a
decade ago by using his father’s call to detonate a bomb in the
mobile phone he was using. His portrait monitors the streets of the
camp.
Have they
forgotten Palestine yet?
Rain is
beginning to fall rather than drizzle, so we stop at a shop with
umbrellas in every size hanging from the front awning. Palestinian
flags and scarves/kafiyyas and Arafat tee-shirts fill the emporium’s
glass shelves. The owner is happy to display his treasures:
souvenirs to take back home. Souvenirs that bring home, Palestine,
to this place of exile.
Have they
forgotten Palestine yet?
We turn into
a narrow lane, like the ones in Nahr al-Barid, where the absence of
sky dims our way instantly. Our guide pauses, and we halt behind him
because there is not room to walk side by side. A low motorbike
coming our way has stopped beside a cubby-hole sized shop at the
convergence of two narrow lanes. The driver is unloading packages of
chips and juice bottles from the box on the back fender. We proceed
through the concrete labyrinth and turn in to an unexceptional metal
doorway. The half-width stairs make it seem like a toy house, and
the pink walls add to the effect. I almost expect to walk into a
candy shop. The squeaky-clean walls are pink only halfway up, and
white above. Now that we are on the second floor, where the
stairwell opens to the sky, the enamel color glimmers more brightly.
We are
welcomed with spontaneous gusto. Have they met us before? No, but we
are guests of the son and thus guests of the home. “Our house
includes our whole family, with apartments on three floors,” Abu
Mahmoud booms. “This isn’t like your system, where a child leaves
home at age eighteen, and is on their own. We remain one big
family.” Their system is working in our favor, because this amazing
circle of energetic smiles and immediate welcoming kisses from
mother and daughters makes us feel that we must have done something
to deserve it. We feel connected.
They are
especially proud of Bahaa’ from their newest generation, and Abu
Mahmoud quiets the ripples of conversation to spotlight Bahaa’
soloing a well-loved song of the Egyptian legend, Umm Kulthoum. This
leads to more performances, and we become one swelling chorus,
ultimately breaking up into laughter. Our guide announces that his
father recites poetry. So Abu Mahmoud takes the family stage, with a
voice to match his robust frame emphasized by an unmistakably
mustard sweater. He declaims a poem that brings us to the balcony of
a woman who does not yet know if she is a widow or bereaved of her
son. His verses affirm her endurance in the face of attacks on
Palestine and her people. He composed this in prison at Jalameh near
Jenin in Galilee when Israel invaded Lebanon in 1982. I ask if he
has a written copy. Without a break in his enthusiasm, he says, “No,
I composed this orally. I am illiterate. I have lots of poems that I
have composed and memorized!” He goes on to describe the attack that
invaded every home in some way, and he lauds the fortitude of every
family’s women.
Have they
forgotten Palestine yet?
Written poems
by literate poets include titles such as:
A sparrow from
my homeland
Sleep, my
child: for the martyr Muhammad Durra
Dreams of
Palestine
Reading the
Faces of the Suicide-Seekers
I weep for
you, Palestine, yet we will return (with God’s permission)
Have
they forgotten Palestine yet?
A new book
title is “The people are mightier than massacres,” and the last page
reproduces an earlier poster: The Return of Herod. Relatives mourn
4-month-old Iman, who was killed by Israeli troops in Gaza,
Palestine. It’s the return of Herod, the emperor who ordered the
killing of children in Nazareth around the time of Jesus’ birth. Let
the world know the truth. Forward this picture. DamascusOnline.com
2001.
Have they
forgotten Palestine yet?
We lace
through more of the network of slim alleyways. A young boy expertly
steers a wheelbarrow past us, balancing a full-sized stove on it. We
cannot match his pace on this uneven paving, though we have only our
own bodies to balance. As we proceed single file, we hear a boy and
his aunt up ahead singing a song of Palestine with a memorable
refrain.
Have they
forgotten Palestine yet?
We visit
several youth centers, each of which has a group that performs music
by their own songwriters. At one, we hear a rehearsal tape that
sounds professional enough to be in the shops. At another, we
pressure the lead singer to indulge us even though he has a sore
throat. We are not surprised to learn that he has professional
experience. The glue is still drying on the oud (from which we
derive the word “lute”) whose pieces they lovingly patched together.
Funds are few, and strings are the next step. Talent abounds and we
feel the world is missing out by ignoring these voices.
They sing of:
Muhammad
Durra, separate songs in Palestinian and Lebanese dialects
Our Return
Witness,
World!
Don’t cry, my
nation.
Have they
forgotten Palestine yet?
Our guide has
a niece named Jenin, who was born shortly after Israel’s major
invasion of Jenin in March and April, 2002. Schools and streets in
these camps have been renamed Jenin. A whole crop of baby girls
carry the remembrance of this injustice in their name, Jenin. A
local poem comes to mind: “The harvest-grains of our exile embrace
the harvest-grains of our nation.”
Have they
forgotten Palestine yet?
A new friend
points to a martyr poster on the wall, and explains that it is her
father. The attack on Iraq affected him so deeply, after witnessing
decades of attacks on Palestine, that he had a heart attack. As his
daughters gathered close to him at the hospital, he uttered his last
words: “Don’t forget Palestine.”
Have they
forgotten Palestine yet?